I’ve been listening to Autechre over the last few days. Sitting at the experimental / “intelligent techno” end of the music spectrum it’s not always easy listening. While doing so I came across the following in Gregory Heaney’s review of EPs 1991–2002,
“What really ties the set together, however, is the packaging. Stark, minimal, and austere, the collection has a physical presence that seems to embody the spirit of the band, offering no explanations or assistance in the way of liner notes or even a detailed track list that points out what songs come from which albums. Instead, like Autechre themselves, EPs 1991–2002 simply presents the listener with the music the band has made and lets them come to grips with it on their own terms, allowing them to draw their own conclusions about what they’re hearing without any unnecessary assistance from its creators.”
Such reduced presentation has strong parallels with much contemporary art, with work often presented as is, with little if any explanation. Titles, medium, date listed on a room sheet and that’s your lot.
This got me thinking: how does this approach sit next to being open and transparent about my practice? How open do I want to be? How much do I want to share, how much do I want to hold back? How much is it necessary to hold back?
I realise it’s not necessarily an either/or situation, but is worth some thought.
Image via Creative Review
Published by: Gary Peters in Uncategorised