Strategy in a sentence

post.hero-title

My broader practice


A couple of weeks ago, I wrote about creating a “strategy in a sentence” for my broader practice. Developed in a one-hour workshop with Chris Jackson of We Create Futures, here it is:

I want to be recognised as a successful artist and valued mentor for local artists and non-artists by delivering methods and perspectives that catalyse a personal ‘aha’ moment to unlock insight and opportunity or unblock their creativity.

Parts are woolly - How am I defining and measuring success? What “methods and perspectives” will I be delivering, and how? - yet workable. It’s a “shitty first draft”, a living thing to be iterated and refined.

The workshop helped me clarify how “Art” and “Consulting” can (and do) make up my broader practice. They are different and complementary disciplines, supporting each other. My art is something I want to do on my terms; it’s for me. Consulting work comes from a desire to be helpful to others. It recognises I’m good at listening, asking questions, and assisting others in finding those “a-ha” moments.

The next step is running experiments and seeing how this hybrid career of mine operates.

Clarifying Colour

post.hero-title

Sketchbook drawings with watercolour


In limbo, any art I make takes place in my sketchbook. Add a single colour to the small ink compositions, and space and form come into focus. Add several different colours and the drawings become strange paintings.

I’m clarifying my thinking about my broader practice, what I want to achieve, and how I operate. This includes developing a strategy in a sentence. Next is brainstorming, followed by running experiments to test my ideas. Exciting and scary times!

Question your teaspoons

post.hero-title

Recent sketchbook drawings


Question your teaspoons

In his short essay, Approaches to What? Georges Perec writes how the daily news focuses on shocking things going against the norm, rarely addressing the daily. Nurses striking to get better pay is shocking, yet the day-to-day reality of low wages for nurses is genuinely upsetting and can be missed.

Perec continues writing, turning to the importance of questioning the habitual – examining what we do, believe, and encounter (without a second thought).

Why do I walk this way to work? What if I took the other street? How can I make the journey enjoyable? Why not buy something unusual from the supermarket?

An artist may ask, why am I using this tool over that one? Why this piece of paper and not that one? How can I make this easy for myself? What can I change?

Perec notes the more trivial the question, the better.

I’m struck by the curiosity involved in asking these sorts of questions. I can see how questioning our norms leads to breakthroughs, new ideas, and insight.

Recharging

post.hero-title

St. Clair, Dunedin.


My routines are busted, the breaking waves are constant, my throat is sore (hence the rest), my drawing is sporadic amidst the change, and I am learning to use my new camera.

Today, however, I’m taking a break and recharging.

Picasso Monster

post.hero-title

One from the composition book, September 2022


After years of distortion and twisting to please others, Picasso Monster starts regaining and finding some balance.