A2-sized drawings, acrylic on paper.
I’m enjoying the ambiguity of these drawings and their incompleteness. The marks are both confident and tentative. I can’t be too heavy with the paint because I am working on unstretched watercolour paper, so too many corrections will buckle the surface. If these were paintings on canvas, I imagine there could be plenty more amendments and repainting – which brings the challenge of keeping the feeling of a light touch.